Review
“In her brief life Marina Keegan managed to achieve a precocious literary mastery. Her wry, wise, lyrical voice is unforgettable, and her vital, exuberant spirit reminds us powerfully to seize the day. Though every sentence throbs with what might have been, this remarkable collection is ultimately joyful and inspiring, because it represents the wonder that she was.” (J.R. Moehringer, Pulitzer Prize winner and New York Times bestselling author of The Tender Bar)
"I will never cease mourning the loss of my beloved former student Marina Keegan. This book gives partial evidence of the extraordinary promise that departed with her. Throughout she manifests authentic dramatic invention and narrative skill. Beyond all those, she makes a vital appeal to everyone in her generation not to waste their gifts in mere professionalism but instead to invest their youthful pride and exuberance both in self-development and in the improvement of our tormented society.” (Harold Bloom, Sterling Professor of the Humanities and English, Yale University)
"Many of my students sound forty years old. They are articulate but derivative, their own voices muffled by their desire to skip over their current age and experience, which they fear trivial, and land on some version of polished adulthood without passing Go. Marina was twenty-one and sounded twenty-one: a brainy twenty-one, a twenty-one who knew her way around the English language, a twenty-one who understood that there were few better subjects than being young and uncertain and starry-eyed and frustrated and hopeful. When she read her work aloud around our seminar table, it would make us snort with laughter, and then it would turn on a dime and break our hearts." (Anne Fadiman, Yale University Professor of English and Francis Writer in Residence and author of The Spirit Catches You and You Fall Down and Ex Libris)
"Illuminates the optimism and neurosis felt by new grads everywhere. . .Like every millenial who's seen irony elevated to an art form, Keegan brings self-awareness to the collective insecurity of her peers even as she captures it with a precision that only comes from someone who feels it too. How unfortunate that she will never know the value readers will find in her work." (
Publishers Weekly)
"Funny, poignant, tender, and fiercely alive, 'The Opposite of Loneliness' contains the keen observations of a short lifetime—and the wisdom of a much longer one." (Jennifer DuBois, author of Cartwheel and A Partial History of Lost Causes)
“The writing Marina Keegan left behind offers a tantalizing taste of a literary voice still in development, yet already imbued with unusual insight, nuance, humor, and sensitivity.” (Deborah Treisman, Fiction Editor, "The New Yorker")
About the Author
Marina Keegan (1989-2012) was an award-winning author, journalist, playwright, poet, actress, and activist. Her nonfiction has been published in
The New York Times; her fiction has been published on NewYorker.com, and read on NPR’s
Selected Shorts; her musical,
Independents, was a
New York Times Critics' Pick. Marina’s final essay for
The Yale Daily News, "The Opposite of Loneliness," became an instant global sensation, viewed by more than 1.4 million people from 98 countries. For more information, please visit TheOppositeofLoneliness.com.